Julian Garner - Doublethink
Julian
is no stranger to The Hairless Heart Herald having previously been in a band
called Rook, whose demo tape was reviewed sometime back in 1994 by Chris White.
When Rook disbanded, Chris’s editorial commented “What impressed me most about
Rook was that, given their youth (in musical/gigging terms), they had already
produced a distinctive signature of their own. While most bands start by
emulating their heroes (and there's nothing wrong with that, we all have to
start somewhere, so long as we move forward), Rook came off the blocks with a
very clear sense of musical direction. It's particularly sad then, that I have
to report their demise so soon after praising them. However, all is not lost.
Julian Garner who sang and played keyboards with Rook is currently working on
new projects and, judging from the tape he recently sent me, it sounds as if the
core of the Rook sound will be heard again”.
Well, that was then and with one
album to his name, Julian has now released his second, Doublethink.
Doublethink
consists of twelve tracks, eight penned by Julian, three by Richard Fuell and
one in collaboration with Richard. Substantially a solo album, guest musicians
feature on some tracks, notably drums, cello and some additional guitar and
vocals.
The big surprise is that Julian
has, so far, been unable to secure a record deal. With a grand budget including
TV promotion the first track alone should create instant sales among a diverse
audience. I suppose that it illustrates the state of the business today – those
with talent are forced to go it alone – only manufactured bands, and I use the
term ‘bands’ loosely, are favoured by the majors.
I could
continue this review in time honoured fashion by wading through each track
highlighting nuances, influences etc. yet I know that I would be unable to find
the words to do this work justice. Instead, I shall try and summarise.
All songs are
strong and instrumentals and vocals excellent. This is neither heavy prog nor
light prog, yet has prog influences, which particularly shine in the
arrangements. Influences abound, from The Beatles to Yes, from mid to late
Genesis (not a bad thing in this context!) and It Bites to Squeeze with a
smattering (is that a word?) of Anthony Philips (even a little Hackett on track
9 ‘Haunted’) and Joe Jackson (Different for Girls – indeed).
These influences are just that – influences. The songs are unique and have
their own Julian Garner stamp. You won’t find that parts of Eleanor Rigby
or Then There Were Three have been borrowed; only the ‘feel’ of such
influences have been incorporated. This is a CD your girlfriend/boyfriend would
like. Even if they don’t, and let’s face it, some people haven’t a musical bone
in their body; you will be pleased to have it as part of your collection. So get
your chequebook out and make a cheque out to the value of £10 (within UK)
payable to 'Renrag Promotions' and addressed to Renrag Promotions, PO Box 4032,
Blandford Forum, DT11 8YE. If you wish to order outside the UK, please contact
Julian via his website (details below)
If you visit Julian’s website
www.renrag.co.uk you will find some sound samples from the CD but be
warned – they are too short to do it justice! Meanwhile I am just on my tenth
listen. Can’t be bad.
Jem Jedrzejewski
www.renrag.co.uk