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Genesis For Two Grand Pianos
The pianists (and arrangers) are two Norwegian chaps, Yngve Guddal and Roger T. Matte, obviously admirers of Tony Banks work as the CD is dedicated to the ex-Genesis keyboardist. Right from the start of the first track it is clear these guys have classical training. I listened to the CD on a Sony CD Walkman first and the clever interaction of the pianos created sounds of other instruments, guitar in particular. I wonder if that was just my mind filling in so to speak as I am so familiar with the music? This impression was not recreated when played on hi fi equipment or in the car so maybe listening via headphones is the answer. The tracks chosen for this CD are not, perhaps, the obvious choice, and they work well. There is a problem where the melody is taken from the vocals as it sticks out like a sore thumb. Fortunately, the majority of the music was originally instrumental and this is where this CD shines. Unlike David Palmer’s We Know What We Like – The Music of Genesis album of London Symphony Orchestrated Genesis, Genesis For Two Grand Pianos does not come across as so contrived. It really does fit into the ‘classical’ genre as against the ‘music for pleasure’ category. I enjoyed Genesis For Two Grand Pianos not least because it is a clever and interesting interpretation of progressive music, which shows that is possible to create a classical ambiance without tinkering with the original time signatures. The CD is available from Steve Hackett’s website http://www.stevehackett.com/ for under a tenner. Track Listing: The Fountain of Salmacis Can-utility and the Coastliners One for the Vine Down and Out Duke’s Travels Evidence of Autumn (Total running time 41:34) Jem Jedrzejewski
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